A Fujifilm style film simulation for LUMIX Real Time LUT. Load one .cube and every JPEG comes out with muted, nostalgic Classic Negative colour, no editing.
The closest way to get Fujifilm colours on a LUMIX is a .cube LUT loaded through Real Time LUT. Our Ninety-Nine look emulates Fuji's Classic Negative, the muted saturation, soft teal shadows and warm highlights people associate with that film simulation, and it bakes that look into every JPEG as you shoot while your RAW is saved untouched.
Ninety-Nine is $9, loads in about a minute, and is tuned to LUMIX colour so skin and shadows stay filmic and natural on bodies like the S9, S5II and L10.
Fujifilm colours are the reason many photographers pick up a Fuji body in the first place. The film simulations are known for cool, clean greens, gently restrained highlights, distinctive blues and a filmic contrast curve that looks finished straight out of camera. It reads calm and considered rather than punchy or over-saturated.
Translated into a LUT, that means a slight cool bias, greens that stay natural, highlights that roll off softly and shadows with a little depth. Fuji's most distinctive simulation, though, is Classic Negative, a muted and nostalgic look all its own. See our dedicated Classic Negative for LUMIX guide, delivered through our Ninety-Nine LUT.
Ninety-Nine carries that muted, nostalgic Classic Negative rendering across everyday light, so you get the Fujifilm feeling without switching systems or editing. Every look ships with same-scene before and after frames shot in-camera on a LUMIX, so you can see the rendering before you buy. Pair it with two more if you want a shelf of moods on your card.
There are two ways in, and both take about a minute. Full detail is in the install guide.
Ninety-Nine is a standard .cube LUT for LUMIX Real Time LUT, so it loads on every LUMIX body that supports the feature: the S9, S5II, S5IIX, S1II, S1RII, G9II, GH7 and the new L10. It also works in desktop editors like DaVinci Resolve, Premiere and Lightroom. Shooting a specific body? See our guides for the S9, S5II and L10.
Ninety-Nine is $9, delivered instantly, and loads onto your LUMIX in about a minute.
Chasing a different stock? We map the popular ones to a look you can shoot in-camera: Portra 400 LUT for LUMIX and Kodak Gold LUT for LUMIX. New to all this? Start with getting started with LUMIX LUTs, or compare every option in our best LUMIX LUTs roundup, or browse all our film emulation looks.
No. Ninety-Nine is an independent colour emulation inspired by the look of Fujifilm film simulations. It is not made by, endorsed by or affiliated with Fujifilm. It recreates that character as a LUT you can shoot with in-camera on LUMIX.
Ninety-Nine, our Classic Negative emulation. It is built around soft teal shadows, warm highlights and restrained, filmic contrast people associate with Fujifilm film simulations.
Yes. It is a .cube LUT for LUMIX Real Time LUT, so the look is previewed live and baked into the JPEG as you shoot, with the RAW saved untouched.
Yes. It works on the S9, S5II, S5IIX, S1II, S1RII, G9II, GH7 and L10, and in desktop editors like DaVinci Resolve, Premiere and Lightroom.
Yes. Ninety-Nine is a standard .cube file, so it loads in most editors as well as in-camera on LUMIX. Read more about what a Real Time LUT is.